Kouen Stillness
from: €107
Kouen Stillness
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Artist
Frida-Féline
Frida-Féline is the travel eye — Paris at walking pace, Tokyo in passing, the Mediterranean at the hour the wind drops, Cape Town at its own pace, Beverly Hills on film. The work doesn’t sell the place; it keeps it. Editorial precision crossed with the patience of someone who actually lives with the cities she photographs.
Five series at Berlin Collective: From Paris with Love, Jetset Lens, 30 Days in Tokyo, Mediterranean, The Mother City.
Kouen Stillness wall art print — a mother sits cross-legged on a patterned picnic blanket in a wide Tokyo park, her stroller parked beside her, a small bundle of a baby tucked inside. Behind her, a low rose garden with iron arbours, a band of autumn-tipped trees, and the muted glass-and-concrete towers of the city pressing softly against a pale grey sky. Shot on film, the grain is honest and the colour sits low and warm.
The whole frame is loose, almost overheard. Where other pieces in 30 Days in Tokyo lean into market light or street geometry, this one lets the lawn breathe and keeps the human moment small inside it. A back, a brown jacket, a folded posture — read once and you see calm; read twice and you feel how big the city is around her, and how the picnic blanket holds its own weather.
A premium pigment print on Alu-Dibond, frameless with a floating mount effect and a matte finish that keeps the film grain quiet and the greens clean. Sizes range from 30×20 cm to 210×140 cm. Photography by Frida Feline, curated by Berlin Collective. Printed in Europe, ready to hang. Free EU shipping.
Why this price
A gallery charges 2–3× more for the same print. Here's where the money goes.
online-only studio
€499
For a 120×80 cm Exhibition print. You keep €700+ — that's the difference.
No rent on a prime-street corner.
No resellers. No commission chain.
How it arrives
Your artwork with an integrated aluminum mounting frame pre-attached to the back, plus a short installation note.
Each piece ships flat in protective packaging designed to handle courier transit without damage.
Integrated floating wall-mount sits slightly off the wall, casting a subtle shadow. Exhibition sizes and up — use a solid interior wall or fittings rated for heavier loads.
1–2 weeks from order. Each piece is produced on demand.
Please note: Wall screws, hooks, and dowels are not included. Use fittings appropriate for your wall type (drywall, brick, concrete) and the size you’ve chosen.
Care
Dry microfiber cloth for dust. For stubborn marks, dampen with water or anti-static screen cleaner. Avoid paper towels, ammonia-based cleaners, and abrasives — they scratch the acrylic.
As with any photographic print, prolonged direct sunlight will eventually fade the colors. Hang out of long-duration direct sun where possible.
Hang on a dry interior wall. Bathrooms and other high-humidity rooms aren’t ideal for long-term display.
Special requests?
Looking for a size or finish that isn't listed? We occasionally produce larger formats and bespoke framings on request. Get in touch via live chat to discuss what you have in mind.
Choose options
The Series
A mother, a stroller, a rose garden, and the city behind it all.
30 Days in Tokyo is a month held on film — the city walked, not chased. Each Tokyo street photography print catches a different register of the same metropolis: a rooftop sprawl under soft grey sky, a temple courtyard guarded by a modernist tower, a bilingual sign glowing over an empty crossing at dusk. Frida Fuchs photographs in the patient tradition of Wim Wenders' Tokyo-Ga — less spectacle, more attention. The frames are loose, grain-warm, composed on the move. Negative space is generous. Colour, when it arrives, arrives as a single tungsten window or the faint peach of winter afternoon. There is no drama pushed onto the subject — the city is allowed to be itself. This is work for rooms that prefer low conversation to loud statement — a hallway lined in oak, a writer's desk facing the window, a kitchen that smells of green tea on Sunday afternoon. Thirty days, one lens, a city watched with affection and no hurry.
More from this series
Trusted by collectors
★★★★★ 4.80
Artist
Frida-Féline
Frida-Féline is the travel eye — Paris at walking pace, Tokyo in passing, the Mediterranean at the hour the wind drops, Cape Town at its own pace, Beverly Hills on film. The work doesn’t sell the place; it keeps it. Editorial precision crossed with the patience of someone who actually lives with the cities she photographs.
Five series at Berlin Collective: From Paris with Love, Jetset Lens, 30 Days in Tokyo, Mediterranean, The Mother City.
The Studio
Gallery quality. Honest pricing.
Premium pigment prints on Alu-Dibond — same archival materials and European production used by major galleries, at a price that reflects what it actually costs to make.
Curated in Berlin-Mitte. Printed on demand in Europe. Sent to your door, ready to hang.
Crafted With Care
Built to Belong on Your Wall
Four layers.
One extraordinary artwork.
Each piece is composed of four precisely-engineered layers — a structure built to keep colour, depth, and sharpness stable for decades, and to float quietly off the wall.
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1
Crystal-clear acrylic A high-gloss optical pane seals the surface — enhances depth, protects the print from dust and moisture.
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2
Archival fine-art print Your artwork, printed on premium fine-art paper with pigment inks for stunning detail and long-lasting colour.
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3
Aluminium composite core A solid, warp-resistant aluminium backing that keeps the piece flat and stable over decades.
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4
Floating wall mount An integrated aluminium frame on the back — the piece floats a centimetre off the wall, casting a quiet shadow. Ready to hang on nails or nylon strings.
Browse the sizes
Six sizes.
One floating mount.
Hover any row to preview the format at scale on the wall.
- Small 30x20 cm €107
- Medium 60x40 cm €242
- Large 90x60 cm €512
- Exhibition Our bestseller 120x80 cm €674
- Collectors Edition 150x100 cm €1.079
- Grand Edition 210x140 cm €2.699
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