Pop goes my Art #3

Pop goes my Art is our studio's love letter to the era when magazines, music sleeves and silkscreen posters all spoke the same loud, optimistic language. The series cuts cinematic portraits into clean geometric facets, then re-lays them across saturated color fields — vermilion, emerald, custard yellow, ice blue. The faces stay glamorous, mid-century, unbothered; the surfaces around them break into ribbons, triangles and blocks like a mood board pinned in real time. Think the graphic appetite of early Warhol filtered through the cut-paper logic of Matisse, then printed with the snap of a Pucci scarf. Each frame reads as one woman's portrait and a small composition exercise at the same time. Across the series we hold the palette confident, the lipstick wet, the geometry clean enough to feel designed rather than collaged. These are images for rooms that are not afraid of a strong wall — over a velvet sofa, beside a brass lamp, in a hallway that needed a pulse. Sit them together and they become a small editorial spread; hang one alone and it carries a room on its own.