1970 romanticized views #5

A 1970s romantic landscape print holds a shell-pink terrace pool against cobalt mountains, a lone cypress spearing the hazy afternoon sky — travel-poster stillness pulled from a summer that may never have happened. The palette reads like a memory already edited — nothing moves, nothing glints, the water holds its breath. The quietest piece in the 1970 Romanticized Views series.

The series reads the Mediterranean in flat, saturated colour — rust, cypress green, pool turquoise, chalky terracotta — in the tradition of a Wim Wenders road-movie frame. Shadows fall graphic, figures look into the view rather than at the camera. Where other frames in the series place a swimmer at the edge, this one keeps the terrace empty — the geometry alone carries the hour. The mountain gains depth by staying flat; the cypress carries the vertical; the pool edge turns the whole frame into a held pink line.

A fine art print sealed beneath crystal-clear acrylic, bonded to an aluminum composite backing. The turquoise-to-rose gradient of the pool deepens through the glossy acrylic face, and the mountains gain a long, held haze. The graphic colour fields keep their flatness while the edges catch a subtle sheen. Six sizes, from Small 30×20 cm to Grand Edition 210×140 cm. Floating aluminum mount included — ready to hang on nails or nylon strings.

Open edition from our Berlin-Mitte studio. Printed in Europe, shipped across the EU. Pairs with linen curtains and a south-facing wall — the afternoon settles longer around it. Looks best on a south-facing wall where the hour stretches slowly toward evening.