Terrazza

Mediterranean is our love letter to the southern coast — Italy, Greece, the Côte, Mallorca — and the way light there makes ordinary architecture look composed. Whitewashed walls, painted shutters, parasols held in salt wind, staircases that lead from one bright surface to another. The series sits at the seam between travel diary and editorial postcard, drawing on the saturated calm of Slim Aarons, the formal grace of Luigi Ghirri, and the off-season quiet of contemporary observers like François Halard. Each frame leans on a single high-noon palette: chalk white, cobalt, terracotta, the deep blue of an unbothered sky. We work in a photographic register that prizes restraint over spectacle — no crowds, no narrative, just the geometry of a place at the moment it stops performing for tourists. The series is meant to be lived with: a slice of holiday memory hung above a console table, a flash of August in a north-facing flat in February. Curated in Berlin, printed in Europe on Alu-Dibond, frameless and ready to hang. Frida's contributions to this series tilt toward the informal — a parasol, a stair rail, a building edge — and let the blue do the heavy lifting.