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Artist
Frida-Féline
Frida-Féline is the travel eye — Paris at walking pace, Tokyo in passing, the Mediterranean at the hour the wind drops, Cape Town at its own pace, Beverly Hills on film. The work doesn’t sell the place; it keeps it. Editorial precision crossed with the patience of someone who actually lives with the cities she photographs.
Five series at Berlin Collective: From Paris with Love, Jetset Lens, 30 Days in Tokyo, Mediterranean, The Mother City.
Jetset Lens #5 wall art print by frida — a Plattenbau tower seen from below at the last hour of dusk, twin shafts of pale concrete rising into a sky that has already given up its colour. Power lines cut a thin line across the frame, a railing draws a darker one, and a low silhouette of trees holds the foreground in shadow. Grain sits heavy across every surface. The whole image feels caught from the side of a road, between somewhere and somewhere else.
The quietest piece in Jetset Lens, and the most architectural. Where the Adriatic frames in the series breathe out toward water, this one stands still and lets the building carry the mood — a flat-faced monolith softened only by the dying light. The crop is patient. Nothing apologises for the wires.
Premium pigment print on Alu-Dibond, frameless with a floating mount effect. The matte finish holds the deep blacks open and keeps the grain honest, while the muted greys gain a clean tonal depth. Sizes from 30×20 cm to 210×140 cm. Curated in Berlin, printed in Europe. Ready to hang. Free EU shipping.
Why this price
A gallery charges 2–3× more for the same print. Here's where the money goes.
online-only studio
€499
For a 120×80 cm Exhibition print. You keep €700+ — that's the difference.
No rent on a prime-street corner.
No resellers. No commission chain.
How it arrives
Your artwork with an integrated aluminum mounting frame pre-attached to the back, plus a short installation note.
Each piece ships flat in protective packaging designed to handle courier transit without damage.
Integrated floating wall-mount sits slightly off the wall, casting a subtle shadow. Exhibition sizes and up — use a solid interior wall or fittings rated for heavier loads.
1–2 weeks from order. Each piece is produced on demand.
Please note: Wall screws, hooks, and dowels are not included. Use fittings appropriate for your wall type (drywall, brick, concrete) and the size you’ve chosen.
Care
Dry microfiber cloth for dust. For stubborn marks, dampen with water or anti-static screen cleaner. Avoid paper towels, ammonia-based cleaners, and abrasives — they scratch the acrylic.
As with any photographic print, prolonged direct sunlight will eventually fade the colors. Hang out of long-duration direct sun where possible.
Hang on a dry interior wall. Bathrooms and other high-humidity rooms aren’t ideal for long-term display.
Special requests?
Looking for a size or finish that isn't listed? We occasionally produce larger formats and bespoke framings on request. Get in touch via live chat to discuss what you have in mind.
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The Series
A concrete tower holding its breath against a bruised dusk sky.
Jetset Lens is frida's travel diary in black and white — frames pulled from the windows of trains, taxis, late ferries, and the long walks between hotels. The work isn't about destinations. It's about the moments between them: a tower seen from a bridge, a street caught in a strange hour, an empty corner that suddenly looks like a stage. Grain is left in. Skies stay heavy. Wires and railings are part of the picture, never edited away. The series leans into a quiet European melancholia — Plattenbau silhouettes, Adriatic harbours, Parisian rooftops, all rendered in the same low-contrast register so they feel like pages from one notebook. Where most travel imagery chases brightness, Jetset Lens slows down. It belongs on the wall of a flat where the bookshelf carries Sebald and Wenders next to a stack of contact sheets. Each frame stands alone, but together they form a record of looking — of paying attention to ordinary places at the hour they finally make sense.
More from this series




Trusted by collectors
★★★★★ 4.80

Artist
Frida-Féline
Frida-Féline is the travel eye — Paris at walking pace, Tokyo in passing, the Mediterranean at the hour the wind drops, Cape Town at its own pace, Beverly Hills on film. The work doesn’t sell the place; it keeps it. Editorial precision crossed with the patience of someone who actually lives with the cities she photographs.
Five series at Berlin Collective: From Paris with Love, Jetset Lens, 30 Days in Tokyo, Mediterranean, The Mother City.
The Studio
Gallery quality. Honest pricing.
Premium pigment prints on Alu-Dibond — same archival materials and European production used by major galleries, at a price that reflects what it actually costs to make.
Curated in Berlin-Mitte. Printed on demand in Europe. Sent to your door, ready to hang.

Crafted With Care
Built to Belong on Your Wall
Four layers.
One extraordinary artwork.
Each piece is composed of four precisely-engineered layers — a structure built to keep colour, depth, and sharpness stable for decades, and to float quietly off the wall.
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1
Crystal-clear acrylic A high-gloss optical pane seals the surface — enhances depth, protects the print from dust and moisture.
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2
Archival fine-art print Your artwork, printed on premium fine-art paper with pigment inks for stunning detail and long-lasting colour.
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3
Aluminium composite core A solid, warp-resistant aluminium backing that keeps the piece flat and stable over decades.
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4
Floating wall mount An integrated aluminium frame on the back — the piece floats a centimetre off the wall, casting a quiet shadow. Ready to hang on nails or nylon strings.
Browse the sizes
Six sizes.
One floating mount.
Hover any row to preview the format at scale on the wall.
- Small 30x20 cm €107
- Medium 60x40 cm €242
- Large 90x60 cm €512
- Exhibition Our bestseller 120x80 cm €674
- Collectors Edition 150x100 cm €1.079
- Grand Edition 210x140 cm €2.699



























































































