Visions vibrantes #5

Vibrant Visions is our studio's love letter to the torn-poster wall — the layered surfaces of Berlin's underpasses, the Mimmo Rotella affichistes of postwar Rome, the cut-and-paste energy of early Warhol screenprints. Each piece is built like a found collage: high-contrast portraits fragmented and reassembled with bold geometric shapes, raw inks, halftone dot patterns and patches of uncut color. The palette stays disciplined — cobalt, mustard, oxblood, ink black, paper white — so the chaos always reads as composition. We work in a flattened graphic register, halfway between silkscreen poster and contemporary collage, with the print grain and tape-edges left visible the way a studio wall keeps them. The series belongs in rooms with confidence: gallery white walls, dark plaster, raw concrete, anywhere a Memphis chair or a Saarinen table needs a wall companion that talks back. Hung as a single statement or paired with another Vibrant Visions piece, the work brings a deliberate jolt of pop energy without falling into kitsch — graphic, modern, unmistakably ours.