Grand Hotel

The Mediterranean series is the brand's summer ledger — small, declarative scenes from the coast where the light does most of the work and architecture answers in white. Awnings, balustrades, ladders, parasols, the trim of a boat hull, the corner of a terrace. The frames are deliberately simple. We're not chasing postcard sunsets; we're after the quieter stretch of the day when the heat has set in, the sky has flattened to a single confident blue, and the human-scale objects on the coast look like punctuation against it. Color holds the series together. Cobalt and deep navy, white that's been bleached a season too long, the soft teal that lives somewhere between pool tile and parasol canvas. Compositions tilt upward — looking up at a building, up at a flag, up at the sky — the way you actually look when you're standing at the water in August. Curated for rooms that want a bit of vacation in them year-round without leaning kitsch: kitchens, bathrooms, hallways, bedrooms. The Mediterranean isn't a place in this series. It's a temperature.